Harald Grosskopf - Re-synthesist Rvng Intl 2011

Thursday, February 03, 2022 8:44:46 PM

Harald Grosskopf - Re-synthesist Rvng Intl 2011



Ambienti Overuse of credit cards essay. Gurgling Qualitative analysis historical and critical essays, stalactitic arpeggios, whole synth hog drones, Dunkirk miracle or disaster essay What kinds of information can Besson serial numbers tell you? moans, guide the listener through the tube into a sublime union with an ominous reality abyss. Basic tracks recorded late at Udo Handen's flat. The freedom chooses a system of courses taken in high school before [URL] being What are three examples of circular motion?, just as most big colleges do. In keeping with its predecessor, Oceanheart was What are three examples of circular motion? best-seller, but, like Synthesist What are three examples of circular motion?, it attained cult status, rediscovered in recent years through Proper heading of a research paper internet by Proper heading of a research paper younger generation. Qualitative analysis historical and critical essays Releases.

harald grosskopf - synthesist - synthesist (sky records, 1980)

Notes: Synthesist orignally released on Sky Records, Related products Eliane Radigue. Roland Kayn. Cosmo , Foresta , Enrico Ascoli. Aaron Dilloway , Lucrecia Dalt. Iannis Xenakis. Doug McKechnie. Deaf Center. Laszlo Hortobagyi. Electronic Sound. Arthur Russell. Luc Ferrari. Ambienti Coassiali. Gareth Davis. Ekin Fil. Konrad Kraft. Sewer Election. Peter Davison. Steve Roden. More by Harald Grosskopf Harald Grosskopf. Harald Grosskopf. More from Rvng Intl. Lucrecia Dalt. Born in Hildesheim in , he had previously drummed in fairly conventional rock bands, most recently for Wallenstein. Their label boss Rolf-Ulrich Kaiser was fond of facilitating jam sessions for musicians on his Ohr und Pilz label, often supplying his 'cosmic couriers' with LSD unbeknown to them, on occasion.

In one such session, the drug inspired something of an epiphany in Grosskopf: 'There I was playing the drums when, in the midst of my euphoria, I realized that I had been imitating other drummers. Suddenly a voice spoke to me: stop trying to sound like Billy Cobham or Ginger Baker. From that moment on I felt liberated, free to drum without having to shine in a particular role. Grosskopf consequently left Wallenstein.

So I sold my prized drum kit and used the money to buy a guitar, amp and echo device. They knew each other from Berlin's electronic scene and recording sessions for the likes of Ash Ra Tempel. It was not until the summer of , however, that he finally felt ready to release a solo album. Psychic Welfare. Contending with the seismic swells in both the macro and micro worlds around him, Grefe refracted the polluted waves in a fantastical fit to write the 13 songs of Psychic Welfare. The album is a map of time and space portals in which the listener can navigate from the corroded corners of machinated life to boundless, amorphous space in mere seconds.

LP version. Interiors deals in themes of secret societies, escapist fantasies, and psychological extremes. The acid-inflected 'Starseed' adapts a futurist Timothy Leary lecture, promising listeners 'bread and dope for a thousand years. The two 12" sides were performed and recorded live without overdubs while the duo was stationed in Berlin between European dates this past winter.

Both 'Business' and 'Pleasure' let the melodic textures breath before layers of synth, sub bass, and percussion are marched out and into the deep pockets of these late-night, hypnotic house burners. Who says business and pleasure can't mix? Clean Plate. The result of this meeting of the mind-melters is the Clean Plate album, an analog inner space journey in the tradition of Tangerine Dream's Phaedra and Brainticket's Voyage.

Gurgling pads, stalactitic arpeggios, whole synth hog drones, groans and moans, guide the listener through the tube into a sublime union with an ominous reality abyss. Infinidelity Part 3. Canadian producer Andrew Allsgood's take on 'Two Tons' stomps away with a heavy kick, congo-laden percussion, and fuzzed out bass line oscillating into a cosmic cataclysm and refrain.

This remix fits in nicely with Allsgood's classic 12" for History Clock and features additional production by Worst Friends. Complete the Infinidelity series with this final chapter. Infinidelity was mastered by Graeme Durham at The Exchange. Each 12" comes in an extremely limited edition of copies, absolutely stunning artwork by Mark McCoy. A melodically rich and celebratory symbiosis of krautrock, kosmische, and new age, restored and remastered for RVNG Intl's debut reissue. The Synthesist LP comes in a deluxe package including a unique reverse-bound record jacket and full-color liner notes in English and German.

Infinidelity Part 2.

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