The Secret Life Of Walter Mitty Character Essay

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The Secret Life Of Walter Mitty Character Essay

Prev Essay on Insurance. What is a good list of regionally accredited online schools? Roles in The Sound of Waves. Then, a complicated machine, connected to the operating table The secret life of walter mitty character essay breaking down. When he asks Mitty to come help, it shows that he trusts Mitty and knows that Mitty could help. Mitty Where is the University of San Diego located? a character who fills his mind with crazy fantasies, in which he always play the super hero role, save What are some examples of second class levers?, and makes sound decisions. The What are some examples of second class levers?, of course, ends up being not one nor the Where is the University of San Diego located?, but either a Apa reference generator uk essay of combination of the two, or more radically, not properly either, but the very difference between them.

The Secret Life of Walter Mitty by James Thurber

Lewis-Kraus, Gideon. The Great A. I Awakening. Marcus, David. CPA Practice Advisor. LexisNexis Database. Kanaley, Reid. Stein, Sam. He is present, yet removed from the people he writes about. Nick spends a generous amount of time with these people, but is constantly overlooked and it seems that his opinion is considered irrelevant. Boston: Wadsworth, Sullivan, Andrew. Open Document. Essay Sample Check Writing Quality. He is characterized as a dull, restrained man, which is why he daydreams. This contributes to the characterization by giving the reader an understanding of the original Walter Mitty that Thurber created. Walter Mitty feels that subjugation that most humans feel throughout their lives. The state helps the reader understand that Mitty is characterized as the protagonists that lacks skill and courage.

His daydreams …show more content… Symbolism is used by James Thurber in the short story to present Walter Mitty as a person that lacks courage, and daydreams about having such a thing. The establishment of the theme and mood help specify the roles community and identity play in the story. Characterization was presented by describing Walter MItty as a fearful man that daydreams to escape reality.

Works Cited Ellis, Robert P. Heller, Terry. Ramachandran diagnosed James Thurber with Charles Bonnet syndrome, which is a neurological condition that causes the patient to have bizarre hallucinations. This parallels Walter Mitty as he regularly checks out of reality in what could be considered hallucinations. Thurber himself did not see this as a disability. The story being dominated by his dreams is clearly demonstrated from the very first line, which opens with an action-packed dream Walter is having. This is significant in showing that Walter is prioritizing his dream life above his reality, where he can project as much as possible. Mitty is constantly bringing Walter out of his mind and repressing him in his life. Later on in the story, Walter Mitty attempts to stand up to Mrs.

Mitty after she gets him out of one of his wartime fantasies. Walter asks her if she realizes that he sometimes thinks, that is, he is his own conscious person who can make his own decisions. She is not expecting this and attributes it to a bout of illness, saying that she will take his temperature later. While they may mean well, the authority of the medical institution and their higher standing in society often results in the mistreatment of patients and worsening of their conditions due to ignoring crucial factors of emotion, argues Gilman. This is a hyperbolic statement on how Victorian woman viewed themselves in rigid marriages. And, according to Gilman, it succeeded. The narrator is constantly dominated by her husband, who is also her doctor.

Here, John represents how two institutions, medical and marriage, are linked in keeping the narrator from being what she wants to be and limiting her ability to express and lead her own life. She is enthusiastic about her limited pursuits and does not want for anything else. The story was published during a dramatic paradigm shift in not only the United States, but the world as a whole in the form of World War II. Walter Mitty is an ineffective man in a world that is calling for the strength of great men to preserve their ways of life. For Walter, though, there is nothing to preserve. Mitty is a poor driver in his reality, but in his dreams, he is an exceptional and daring pilot, and he gains the respect of the other men around him, while in his waking life, he is nagged around by his wife and ridiculed by other men.

Thurber could be making a statement here trying to reach out to men who may stay on the home front, either because they do not want to fight or they are too old and weak to do so, that they are no less of a man as those who are those daring pilots in the war. Walter may not actually be a great man, but he views himself as one nonetheless thanks to his fantasies. In his dreams, Walter is a strong hero reflecting what he wants to be as a man. He is commanding, cool, and charismatic, while in reality he is absolutely none of these qualities. As he makes his dreams so heavy on masculinity, it appears that his dreams undermine femininity. This is to compensate for any femininity that Mitty himself may possess, as he appears weak and indecisive in his day to day life by allowing his wife to have control, and this serves as an example of how Mitty wants to be a masculine figure who is able to garner the attention of an attractive mate.

His final fantasy is a stark contrast from the rest. While the others are about him being put in daring and heroic situations, his final dream is of him about to be executed by a firing squad. Walter rejects the handkerchief, offering to die as he wanted to live, like a man. He engages in his fantasies to escape the pain he feels in his waking life, and now he is deciding he does not need them anymore. His final dream in the story being shot down by a firing squad, therefore, can be interpreted as Walter Mitty killing off his dream self, choosing to live only in his reality without the comforts of the handkerchief.

While there is no epilogue or proper closure, his brief but still poignant rebellion at his wife when he insists that he is a thinking person coupled with this forsaking of the handkerchief and dream death allows one to imagine a reborn Walter, a combination of his pragmatic real self and his idealized dream self. The two stories largely owe their success to how their respective authors develop their protagonists as symbols of ideal American life through how their ventures into their own respective psyches illustrate how they view themselves. Their common denominators for illustrating this is by illustrating how they escape from their mundane reality and authoritarian marriage into fantasy. The ground for contrast in these stories is how they interpret being a good American and how their protagonists respond to that idea.

Gilman, Charlotte Perkins January The New England Magazine. Gilman, Charlotte Perkins. In both texts, Thurber and Ellison present the protagonists in undesirable positions within society of which they seek to alter. Walter Mitty challenges his unambitious role as an oppressed husband by indulging in fantasies in which he assumes a heroic identity. Unfortunately, amidst reality and a lack of true control, both characters fail to achieve their goals of obtaining greater social value and status. Both Thurber and Ellison portray the American identity as having a lack of autonomy. She seemed grossly unfamiliar, like a strange woman who had yelled at him in a crowd.

Mitty continues to treat Walter as a child. Mitty is the caregiver, and potentially, the provider, in their relationship. The protagonist enters a bingo game in order to win some money to afford a doctor for his sick partner, Laura. The protagonist wins the bingo game and has a chance to spin the wheel of fortune for the jackpot. Confused by anxiety and by a drink of whiskey on an empty stomach, he is surprised and frightened to be on stage. Although the wheel then stops at the double-zero, the last paragraph of the story suggests that he has won nothing: the money will surely not be paid, he is probably headed for jail, and Laura may die without medical attention.

Escapism, an attempt to relieve pressure by seeking pleasure, comes in various forms, including but not limited to, retreating into fantasy or indulging in games and gambling. Both narratives were written and set during or around the American historical era of the Great Depression. With Mitty, for instance, his unemployment is implied through his obligatory duty of escorting his wife on her shopping trip.

On this trip to town, his wife does the lavish and extravagant spending, such as buying new shoes and getting her hair done, which implies that she may be the dominant, income-earning figure in the relationship. A man had had to come out in a wrecking car and unwind them, a young, grinning garageman. This lack of skill set in Mitty further illustrates his ineptitude and thus, verifies his inferiority to his dominant wife. These studies seemed to indicate that the longer a person was unemployed, the more likely his or her personality would become fatalistic and distressed. In an attempt to escape from this psychological state, it was speculated that people were turning to popular forms of entertainment such as the movies, radio, or reading.

This desire for aesthetic stimulation resonates with Mitty in that he retreats into fantasies that maintain creative storylines. The fact that very few popular culture forms dealt with the realities of the Great Depression in any explicit way further supports popular culture as a vehicle of escape. Through his mundane existence, his escape to the imaginary scenarios highlight the personal longing for achievement and accolade as a result of fulfilling standards of hegemonic masculinity. In addition, Ellison and Thurber also portray their protagonists as disillusioned by the American Dream. Conversely, the reality of the social settings and pressures that surround the characters counter this optimistic belief.

While Mitty strives to achieve his greater social value, he is only able to do so in a fictional dream-setting and is often abruptly interrupted by his demeaning wife. Both characters exercise a limited sense of power and control over their individual lives, and thus, negate the equality of opportunity of the American Dream. Both Thurber and Ellison generate the American identity in response to the social context of their time.

Walter Mitty has a miserable life. He is clumsy and cowardly. He is also always pushed around by his bossy wife, yelled at by a police, and laughed at by people who take the chains off his tires. He has a pretty hard life. This is why he is always fantasizing about being a respected, well-known person. It gives him a chance to escape from the harsh reality. Some of his fantasies are being a commander, saving the day as a doctor, and not needing a handkerchief to cover his eyes when he is getting executed. In the plane fantasy, Walter Mitty is the commander. But Commander Mitty, the strong, the brave, pushes on. Rev her up to 8,!

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